Blackpink just reminded everyone why they’re still the benchmark in K-pop girl group dominance. Their third EP Deadline (released late February 2026) debuted at No. 11 on the UK Official Albums Chart, marking the quartet’s fourth entry on the list — the most for any female K-pop act in history. The title track “Go” also landed at No. 44 on the Official Singles Chart.
It also entered the Billboard 200 at number 8. This is the team’s fifth chart entry, following their 1st mini album ‘SQUARE UP’, 2nd mini album ‘Kill This Love’, 1st full album ‘THE ALBUM’, and 2nd full album [BORN PINK].
This achievement cements Blackpink as the highest-charting K-pop girl group ever on the UK albums tally, with past peaks including Born Pink at No. 1 (their first UK No. 1 album), The Album at No. 2, and now Deadline rounding out their top-tier run. The EP’s first-week sales crushed records too: over 1.77 million copies on Hanteo (the highest first-week total for any K-pop girl group), surpassing Born Pink by ~230,000 units and even topping aespa’s previous benchmark. It’s a loud statement that the group’s global pull hasn’t faded — even after a three-year group hiatus.
Meanwhile, the members are each carving their own paths in 2026, with fresh milestones and headlines:
Rosé Makes Brit Awards History
Rosé became the first K-pop artist to win a BRIT Award at the 2026 ceremony in Manchester. She took home Best International Song for her Bruno Mars collab “APT.” — the massive 2025 global smash that dominated charts and playlists. In her acceptance speech, she shouted out her Blackpink members and BLINKs, calling the win a “dream come true” moment for Korean music overseas. It’s a landmark not just for her solo career but for K-pop’s crossover credibility in the UK.
Jennie Announces Ruby: The Complete Edition
Jennie is celebrating the one-year anniversary of her debut solo album Ruby (March 7, 2025) with a special reissue: Ruby: The Complete Edition, dropping March 6, 2026. The expanded version adds six bonus tracks — including fan-favorite “like JENNIE” remix versions from award show stages (MMA, GDA) and four previously physical-only solo audio tracks (“Damn Right,” “Love Hangover,” “ExtraL,” “Handlebars”). It’s a smart move to give digital fans the full experience and keep her debut era alive amid her growing acting and fashion commitments.
Jisoo Is Back on Screen — But Reactions Are Mixed
Jisoo returned to acting in the Netflix drama Boyfriend on Demand (premiered early 2026), her first major K-drama role since Snowdrop. The project has sparked divided feedback: some praise her improved emotional delivery and screen presence, while others criticize the overall production and feel her performance still lacks depth compared to seasoned actors. After filming wrapped, Jisoo shared she “didn’t cry” during the final session — a candid comment that drew backlash from netizens who called it “careless” or proof she wasn’t invested. Defenders argue it’s just her personality and that the drama’s reception shouldn’t overshadow her effort. It’s a reminder that idols-turned-actors still face extra scrutiny.
Blackpink’s group legacy keeps growing — Deadline’s UK entry and sales records prove they’re not just surviving the hiatus era, they’re thriving. The solos are thriving too, each carving distinct lanes while the core four-member bond remains a powerful draw. Which milestone hits hardest for you — the chart history, Rosé’s BRIT win, Jennie’s reissue, or Jisoo’s acting return? Drop your thoughts below
