A Closer Look at V’s Fri(ENDs): More Than Just a Love Story

Published April 30, 2025

There’s something about Fri(ENDs) that stays with you. It’s not just the catchy melody or V’s smooth vocals—it’s the story. The music video unfolds like a mini film, giving us not just one, but two versions of a life. And both somehow lead to the same conclusion. That’s where it gets interesting.

Two Lives, One Ending

In Fri(ENDs), V presents two possible paths: one where he walks through life alone, and one where he shares it with someone. The twist? Both journeys end the same way—with him being hit by a car. It’s not so much about the accident as it is about what comes before it.

The visual storytelling uses identical scenes in both halves—same locations, same frames, same people. But the vibe completely shifts. It’s a smart way to show how our inner state changes how we experience the exact same things.

Perception Is Everything

In the solo version, life looks exaggerated and a bit harsh. The world feels like it’s mocking him—think cashier PDA and a bizarre bus-driving duo. But with a partner, everything looks brighter, lighter, and even the oddities feel endearing.

It’s a great example of how emotions can twist our view of reality. When we’re lonely, the world feels heavier. When we’re happy, it’s almost like we’re walking on air. Same world—different lens.

Facing the One Person You Can’t Escape

The final scene where V meets… himself? That’s where it gets reflective. Whether it’s meant to hint at alternate timelines or simply inner dialogue, it’s clear that the story is less about romantic love and more about self-awareness.

He’s been through both versions of life, and neither gave him the answers. So now, it’s about facing who he is—beyond relationships, beyond what-ifs.

Telling a Whole Story in One Song

The beauty of Fri(ENDs) is how it compresses a full emotional arc into one track. It starts with the classic “are-we-just-friends” tension and moves into “we’re-meant-to-be” territory. The urgency builds—not just in lyrics, but in structure. Whole verses flow like a single racing thought, just like how our emotions sometimes do.

It’s subtle but effective storytelling, all packed into a few minutes of music.

V’s Voice, Front and Center

V’s vocal tone is naturally deep and soothing, but Fri(ENDs) lets him show a little more—especially with those vocal runs and transitions. It’s a refreshing reminder of his range and his ability to shift between genres with ease.

From silky baritones to gentle falsettos, he brings emotional depth without overdoing it. It feels effortless, but it hits.

Between Drama and Comedy

What’s great about Fri(ENDs) is how it walks the line between drama and comedy. One moment, you’re watching something heartfelt and heavy. The next, you’re smiling at how ridiculous life can be—because who hasn’t been the single friend surrounded by lovey-dovey couples?

The storytelling leans into that irony. Whether you’re alone or partnered up, life will still mess with you. But the tone shifts based on how you feel in the moment. And that’s the point.

Still Hitting Home

Fri(ENDs) isn’t just about a relationship—it’s about perception, timing, and facing who we really are. The cinematography, lyrics, and storytelling all blend into a piece that invites reflection without feeling heavy-handed.

No matter when you watch it, Fri(ENDs) feels current. It captures the way we overthink, the way we feel everything too much, and the way we sometimes need to meet ourselves to truly move forward.