Mrs. GREEN APPLE (often stylized as MGA) has officially announced their sixth original full-length album (currently untitled), set for release on September 30, 2026. Alongside it, the band revealed their first arena tour in approximately three years: Mrs. GREEN APPLE Ringo Jam Tour: SHADOWS, which kicks off on the same day.
The album includes previously performed tracks like “Variety” (debuted at their 10th anniversary outdoor concert MGA MAGICAL 10 YEARS ANNIVERSARY LIVE ~FJORD~ in July), plus “Carrying Happiness,” “Natsu no Kage,” “GOOD DAY,” “lulu.,” and “Kaze to Machi.”Limited editions come with a Blu-ray/DVD featuring the bonus documentary Episode 10. A special first-press box set offers exclusive merch: a three-piece BIG FACE acrylic panel set, an iconic pub mirror, and an MGA Charming Rabbit. Pre-order buyers receive a GREEN CODE for priority tour ticket access, with more benefits to be announced later.
Tour Dates (Mrs. GREEN APPLE Ringo Jam Tour “SHADOWS”)
Here is the full schedule (note: some dates in the query appear to have minor transcription errors; these reflect confirmed listings):Sept 30 & Oct 1 — Anabuki Arena Kagawa (Kagawa)
- Oct 6 & 7 — Hiroshima Green Arena (Hiroshima)
- Oct 14 & 15 — LaLa arena TOKYO-BAY (Chiba)
- Oct 23 & 24 — Makomanai Sekisui Heim Ice Arena (Hokkaido)
- Oct 28 & 29 — Yoyogi National Stadium (Tokyo)
- Nov 4 & 5 — SAGA Arena (Saga)
- Nov 13 & 14 — Sun Dome Fukui (Fukui)
- Nov 18 & 19 — Nagano Big Hat (Nagano)
- Nov 28 & 29 — LaLa arena TOKYO-BAY (Chiba)
- Dec 3 & 4 — GLION ARENA KOBE (Hyogo) [corrected from query]
- Dec 9 & 10 — Marine Messe Fukuoka (Fukuoka)
- Dec 15 & 16 — Sekisui Heim Super Arena (Miyagi)
- Dec 18 & 20 — Pia Arena MM (Kanagawa)
- Dec 27 & 28 — Aichi Sky Expo (Aichi)
Background and Rise in Japan
Mrs. GREEN APPLE formed in Tokyo in spring 2013. The current core trio consists of Motoki Ohmori (vocals/guitar, primary songwriter/producer), Hiroto Wakai (guitar/leader), and Ryoka Fujisawa (keyboards). They made their major debut in 2015 under EMI Records (Universal Music Japan).
After building a strong indie following, they entered a hiatus in 2020 to mark the end of “Phase 1,” returning stronger in 2022 for “Phase 2.” This strategic reset fueled their current dominance. By 2025–2026, they became Japan’s biggest musical act: topping Billboard Japan charts across multiple categories, achieving over 10 billion total streams in Japan (the first J-pop act to do so), and ranking No. 13 on the IFPI Global Artist Chart for 2025 — the highest-ever position for a Japanese act, driven almost entirely by domestic success.
They dominate anime tie-ins (Yu-Gi-Oh! Arc-V, Fire Force, Oblivion Battery), with massive hits like “Lilac” breaking streaming records. In 2025–2026, they swept Artist of the Year at MUSIC AWARDS JAPAN and became a cultural phenomenon, with merch tie-ins (e.g., Lawson campaigns) and stadium-filling tours.
Crossover to the US and Global Momentum
While their success remains overwhelmingly domestic, Mrs. GREEN APPLE is showing early signs of international breakthrough. They appeared on UMG’s global top-sellers lists alongside Taylor Swift and others, and performed in South Korea. Fans and industry observers see their upcoming phases (including potential dome/stadium expansions through 2029) as setting up a more global push. Outside Japan, they’re often marketed as MGA. Their universal themes of youth, struggle, and joy resonate beyond language barriers.
Creative Identity and Sound
Mrs. GREEN APPLE blends pop-rock, alternative rock, indie pop, and theatrical elements into an energetic, emotionally resonant sound. Ohmori’s powerful, versatile vocals (often compared to operatic range) drive catchy, anthemic melodies with sophisticated arrangements — incorporating rock energy, electronic touches, danceable beats, and orchestral flourishes.
They’re known for:Relatable, empathetic lyrics about human experiences, growth, love, and everyday emotions.
High-energy live performances with theatrical staging, choreography, and immersive production (musical drama-style shows).
Genre fluidity — upbeat “whizzbangs” that feel fun and profound, earning them massive appeal across ages while sometimes drawing criticism from purist rock fans for being “too pop.”
Their identity mixes whimsy (colorful visuals, playful concepts) with depth, making them the soundtrack of modern Japan for many. The new “SHADOWS” era hints at exploring darker, more introspective themes while maintaining their signature joy and spectacle.
This announcement marks a major milestone in their 10+ year journey — from high school band to Japan’s reigning champions, now eyeing broader horizons. Fans (Ringo Jam members especially) are in for an exciting fall. If you’re new to them, start with hits like “Lilac,” “Dance Hall,” or “Ao to Natsu” for a taste of their magic.
